process · 2026

i rebuilt my brand with ai. here is the honest version.

Not a prompt and a miracle. A long conversation with Claude Code, a lot of critique, and a rule about pen pressure that fixed everything.

marks locked
25
emotions
8
character rounds
4
brush
1

what the ai did

Read the Figma file and the live site. Traced the drawings. Wrote the drawing engine, the design system, and the production code. Redrew things ten times without complaining once.

what i did

Every drawing it started from. Every direction call. Every critique, and there were many. The taste, the standard, and the decision about when something was finished.

how it actually went

  1. the audit

    Claude read the live Webflow site and pulled it apart: every colour variable, the type ramp, every component measurement, and which parts were the template versus actually mine.

    The previous iamjerryux.com homepage, built on a purchased Webflow template
    where it started: a purchased template in teal and coral
  2. four directions

    Four full homepage directions, side by side on a shared canvas, so the decision was visual, not verbal. None of them were right, and that was the useful part.

    A rejected homepage directionA rejected homepage directionA rejected homepage directionA rejected homepage direction
    notebook, warm studio, playground, ink and highlight: all rejected
  3. the real brief

    The reference turned out to be Notion: characters living on the edges of real product components. That reframed the job from "a website" to "an illustration system that a website is built around."

    The chosen direction: a white page with the character peeking over a product board
    the direction we kept: white page, black type, the drawings do the talking
  4. inventory

    Claude read my Figma file layer by layer: 31 icon marks, a dozen lettering pieces, five carousel series, a hundred-page book and a hundred photo cutouts. Every one was exported and sorted.

    An inventory board sorting the illustrations found in the Figma file
    what was in the file, sorted into what the brand could use
  5. the character, four rounds

    Traced from my drawing, rebuilt as geometry, given a pressure stroke, then given thin endpoints and small real hats. Each round was my critique and Claude's redraw.

    The character, round 1round 1
    The character, round 2round 2
    The character, round 3round 3
    The character, round 4round 4
    round 1 traced, round 2 geometry, round 3 pressure, round 4 approved
  6. one brush for everything

    The rule that fixed it: every line in every illustration uses the same pressure stroke, thin in, one swell, thin out, at one weight. Written down in a file so it cannot drift.

    the same pen, drawn live by the site: a line, a loop, a check
  7. twenty-five marks, locked

    Each mark was rebuilt on that rule and approved one at a time. Approved marks are frozen as files that later rounds are not allowed to touch.

    locked
    locked
    locked
    locked
    locked
    locked
    locked
    locked
    a few of the 25, each one locked after I signed off
  8. the design system

    Tokens and components defined once, in one place, and used to draw every page mockup before any code existed.

    The design system sheet: colours, type and components
    the system sheet: colour, type, spacing, components
  9. the build

    A Next.js site generated from those same tokens and illustrations, so the design and the code cannot drift apart. Every drawing on this page is a component.

    The new iamjerryux.com homepage
    the result: the page you are on

before and after

before · a purchased template

The same five pages as they were. Scroll sideways, then compare with the row below.

Old homepage
home: the template's teal and coral, drawings scattered around a photo cutout
Old about page
about: a stock layout with hashtag stickers floating around me
Old portfolio page
portfolio: stock photography in front of every case study
Old mentorship page
mentorship: no offer, no price, just a button off to tiktok
Old contact page
contact: a form in a floating card, with no idea what you are writing about
after · a system

White page, black type, and the drawings carrying every bit of colour and motion.

New homepage
home: white page, black type, the character peeking over a real component
New about page
about: my real family photo and a career path you can read in a minute
New work page
work: nine case studies you can filter, each with its own mark
New mentorship page
mentorship: one clear offer, a price, a guarantee and a free first step
New contact page
contact: a form that lands in my inbox and asks what it is about

the rule that fixed it

Round three still looked like a machine drew it. The fix was not a better prompt, it was a written rule: every stroke enters thin, swells once or twice, and leaves thin, at one weight everywhere.

Once that lived in a file instead of in a conversation, everything after it matched. That is the part worth stealing.

what it was built with

claude code

The whole project ran in one long session: reading Figma, tracing, drawing, critiquing, then writing the production code.

figma

Where the original drawings live. Nothing was redrawn from memory; everything traces back to a file.

next.js

Tokens as CSS variables, every illustration as a component, generated from the same source as the design.

what i would tell another designer

Bring taste and a body of work. The model can draw, trace, refactor and remember, but it cannot tell you when something is finished. That judgement is the job, and it is still yours.

Critique like you would with a junior designer: specific, visual, one thing at a time. "Make it more professional" got me nowhere. "Thin the endpoints of every stroke" changed the entire system.

Lock what you approve. Anything unfrozen will drift.

want the same for your team?